《老九》音乐剧

The musical has its strengths – the ensemble as a whole is impressive, both vocally and choreographically. Amongst the relatively large ensemble, individual characters are discernible. I also applaud the increased use of Hokkien which makes the character of the Father more believable and emotionally coherent – his lullaby to his newborn son is an especially touching moment.

I hope that Lao Jiu's developmental journey continues, as one of a handful of genuinely relevant and meaningful Singaporean musicals.